Import more old posts.

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diff --git a/content/blog/2017-06-26-tons-of-rock-cashless/index.md b/content/blog/2017-06-26-tons-of-rock-cashless/index.md
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+title = "Tons of Rock og Cashless"
+
+[taxonomies]
+tags = ["festival", "samfunn", "personvern"]
+
+[extra]
+author = "harald"
++++
+
+I helgen var jeg på _Tons of Rock_, festivalen som holder hus på Fredriksten
+festning i Halden. At festivalen ble rimelig amputert for mitt vedkommende er i
+all hovedsak ikke festivalens feil. Futen, ymse sjukdom og trafikkkaos i Oslo
+får hver ta sin del av skylden. De banda jeg fikk se leverte varene og vel så
+det. Spesielt var det jo stor stas å få se Emperor igjen.
+
+Men hadde jeg visst at festivalen gjorde bruk av cashless for all handel på
+festivalen hadde jeg latt være å kjøpe billett.
+
+<!-- more -->
+
+For de som ikke kjenner til det, Cashless er et svindelforetak som tilbyr
+festivaler og andre en betalingsløsning der besøkende først må forhåndsbetale
+for egne betalingskort med "virtuelle penger" på. Så bruker man av disse
+"pengene" når man skal handle.
+
+Ikke bare var det umulig å få seg hverken mat eller drikke uten tullepengene,
+men all merchsalg var også underlagt dette systemet.
+
+Foruten at det kan være vrient å få tilbake restbeløp etter endt festival eller
+mistet kort, så er noe av hovedproblemet med et slikt system (som alltid)
+personvern og overvåkning. Se bare hva Cashless selv sier på
+[sine sider](http://cashless.net/cashless_consumer_information.php)
+
+> The CASHLESS System tells you _where your customers live_ as well as _their
+> age_, _income_ and _spending habits_.
+
+(Mine uthevinger.)
+
+Dette høres sikkert feiende flott ut for arrangører og selgere på festivalen.
+De får masse nyttig informasjon om hvem som handler hos dem, hva de handler,
+hvor de kommer fra, hvor gamle de er og hva de tjener!
+
+Men hva med publikum, som gjerne er intetanende om hvilken informasjon de blir
+melket for? Er det greit for en festivalarrangør å ta dette valget på sitt
+publikums vegne?
+
+Dersom det var mulig å betale med kontanter og vanlige betalingskort så ville
+det være en frivillig sak om man som publikummer ville gi fra seg denne
+informasjonen eller ikke. Men her har Tons of Rock vist at de regelrett driter
+i sitt publikums personvern ved å gjøre det umulig å handle noe som helst uten
+å gi fra seg en mengde med informasjon om seg selv.
+
+Som om ikke det var ille nok, så er man faktisk pliktig å ta imot [kontaner som
+betaling](https://lovdata.no/lov/1985-05-24-28/§14) i Norge.
+
+Neste år gir jeg dem samme behandling og driter i festivalen!
diff --git a/content/blog/2017-07-13-hjemmelaget-frossenpizza/hjemmelaget-grandiosa.png b/content/blog/2017-07-13-hjemmelaget-frossenpizza/hjemmelaget-grandiosa.png
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diff --git a/content/blog/2017-07-13-hjemmelaget-frossenpizza/index.md b/content/blog/2017-07-13-hjemmelaget-frossenpizza/index.md
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+title = "Hjemmelaget frossenpizza?"
+
+[taxonomies]
+tags = ["norsk", "språk", "markedsføring", "løgn"]
+
+[extra]
+author = "harald"
++++
+
+{% figure(img="hjemmelaget-grandiosa.png") %}
+_"Hjemmelaget"_ Grandiosa, bilde fra Orkla Foods sin Hjemmeside.\
+Spørsmålstegnet er lagt til av forfatteren.
+{% end %}
+
+Når Stabburet har klistret merkelappen “Hjemmelaget” på en variant av
+frossenpizzaen Grandiosa er det langt over midnatt for å begrave begrepet for
+all fremtid. Herved utgår ordet "Hjemmelaget" i alle sine varianter fra det
+norske språket, da det er helt tømt for betydning.
diff --git a/content/blog/2017-08-17-piratpartiet-samler-data-for-facebook/er-du-en-pirat-som-vil-spores.png b/content/blog/2017-08-17-piratpartiet-samler-data-for-facebook/er-du-en-pirat-som-vil-spores.png
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diff --git a/content/blog/2017-08-17-piratpartiet-samler-data-for-facebook/index.md b/content/blog/2017-08-17-piratpartiet-samler-data-for-facebook/index.md
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+title = "Piratpartiet samler data for Facebook"
+
+[taxonomies]
+tags = ["samfunn", "internett", "politikk", "facebook", "piratpartiet"]
+
+[extra]
+author = "harald"
++++
+
+Piratpartiet har sett seg lei på at de ikke er med i de ymse valgomatene som
+nettavisene legger ut for å samle informasjon om leserkretsens politiske
+ståsted. Derfor har de laget sin egen valgomat, under fanen ["Er du en Pirat?"].
+
+<!-- more -->
+
+Forståelig nok, men løsningen de har kommet frem til er kanskje ikke så
+gjennomtenkt som man kunne forvente fra et parti som har følgende i sitt
+kjerneprogram under "[Individ og Personvern]":
+
+> Piratpartiet ønsker et fungerende og sterkt personvern for å garantere
+> enkeltindividets mulighet til å ha en privat sfære, utvikling og utfoldelse
+> uten utilbørlig påvirkning fra omverdenen.
+>
+> Vi mener at individet skal ha kontroll over sin egen informasjon og
+> kommunikasjon. (...)
+
+Med dette i bakhodet virker det lett pussig at deres "egen" valgomat leder
+direkte til Facebook, og dermed rapporterer alle som bruker den sine politiske
+preferanser til én av verdens to største datainnsamlingsorganisasjoner. For
+sikkerhetsskyld må du også være logget inn på Facebook for å ta testen slik at
+de har gode data på hvem du er.
+
+Som om ikke det var ille nok. Når jeg besøker sidene gjennom [Tor Browser]
+kommer denne advarselen opp:
+
+{% figure(img="er-du-en-pirat-som-vil-spores.png") %}
+Er du en pirat som vil spores?
+{% end %}
+
+Sidene til piratpartiet prøver altså selv å spore deg ved å lese pixeldata fra
+nettleseren din. Dette er ikke helt det jeg hadde forventet av et parti som
+hevder å ta personvern på alvor.
+
+["Er du en Pirat?"]: https://www.piratpartiet.no/2017/08/15/er-du-en-pirat/
+[Individ og Personvern]: https://www.piratpartiet.no/kjerneprogrammet/#soyle-2
+[Tor Browser]: https://www.torproject.org/projects/torbrowser.html.en
+
diff --git a/content/blog/2017-08-18-ikke-glem/benjamin.jpg b/content/blog/2017-08-18-ikke-glem/benjamin.jpg
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diff --git a/content/blog/2017-08-18-ikke-glem/index.md b/content/blog/2017-08-18-ikke-glem/index.md
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+title = "Ikke glem"
+
+[taxonomies]
+tags = ["rasisme", "fascisme", "norge", "Benjamin Hermansen"]
+
+[extra]
+author = "harald"
++++
+
+{% figure(img="benjamin.jpg") %}
+Minnesteinen over Benjamin Hermansen på Holmlia i Oslo.
+{% end %}
+
+Det er ikke mer enn 16 år siden nynazister tok livet av en ung gutt på Holmlia
+i Oslo. Den gang var fordømmelsen klar og umiddelbar fra alle hold. _Aldri mer
+rasisme_, sa vi. Det ble satt fokus på nynazismen og miljøet ble fulgt opp og i
+stor grad lagt øde.
+
+For Benjamin Hermansen var det imidlertid for sent. Vi skyldte ham og de mange
+andre som har blitt utsatt for rasistisk hets å ikke glemme. Å ikke igjen la
+rasisme få fritt spillerom i samfunnet.
+
+<!-- more -->
+
+...
+
+I sommer marsjerte nynazister åpenlyst i gatene i Kristansand. Denne gangen har
+fordømmelsen vært vag og haltende. Ledende politikere i landets regjering ser
+ut til å sno seg unna. Statsministeren lyder som et ekko av Trumps feilaktige
+formaning om at det er fæle folk på begge sider. Hennes ord om at vi må tenke
+igjennom hvordan vi omtaler andre mennesker lyder hult når ministre i hennes
+egen regjering balanserer hårfint på kanten av regelrett rasisme. I valgkampen
+debaterer man brunost. Politiet arresterte de som sto opp mot fascistene!
+
+...
+
+Vi må ikke glemme Benjamin Hermansen. Vi må ikke glemme de som døde i massakren
+på Utøya eller bombeanslaget i Oslo. Heller ikke de som overlevde må glemmes.
+Vi skylder dem alle at fascismen og rasismen blir knust. At nynazister ikke
+våger å marsjere i våre gater.
+
+Vi må heller ikke glemme de millioner av mennesker som igjennom historien har
+mistet livet eller fått livene ødelagt av fascismen. Den samme ideologien de
+som marsjerte i Kristiansand og Charlottesville trykker til sitt bryst.
+
+Glem ikke!
diff --git a/content/blog/2017-08-19-ramaskrik-2016/beer.jpg b/content/blog/2017-08-19-ramaskrik-2016/beer.jpg
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diff --git a/content/blog/2017-08-19-ramaskrik-2016/howl_front.jpg b/content/blog/2017-08-19-ramaskrik-2016/howl_front.jpg
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diff --git a/content/blog/2017-08-19-ramaskrik-2016/index.md b/content/blog/2017-08-19-ramaskrik-2016/index.md
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+title = "Ramaskrik 2016"
+lang = "en"
+
+[taxonomies]
+tags = ["film", "horror", "Ramaskrik", "festival"]
+
+[extra]
+author = "harald"
++++
+
+{% figure(img="howl_front.jpg") %}
+One of the attractions this year was the screening of Howl from an old train car at Oppdal station.
+{% end %}
+
+This report from the [Ramaskrik Horror Film Festival] of 2016 has taken way too
+long to finish. My apologies for that. We're now only a about a month and a
+half away from the next Ramaskrik, which I'm very much forwards to it! Anyways
+here is my report from four days dedicated in full to horror films, beers and
+socializing with other horror fans.
+
+<!-- more -->
+
+One of the great things about this festival is it's location. A very small town
+in the middle of Norway. (Yes, that sounds like "in the middle of nowhere" for
+a reason.) [Oppdal] is a picturesque small town surrounded by mountains. A
+popular skiing resort in winter time, and great for mountain trips in the
+summer and fall.
+
+Due to its small size the festival gets very social. Audience, producers,
+directors, actors and the organisers of the festival mingle freely. Pretty much
+everyone stays at the same hotel. The venue doesn't have any VIP area, and the
+evening usually ends up at one of the local bars – either at the hotel or
+somewhere else.
+
+We (the audience) appreciate this, but it seems like the professionals present
+do so too. We're all horror film enthusiasts in the end, and the atmosphere is
+informal and very inclusive.
+
+Right! Enough chit'chat, on to the report!
+
+## Day 1 - Thursday
+
+{% figure(img="midtnorsk-fortellerforum-underholder.jpg") %}
+Midtnorsk fortellerforum is making the train trip scarier.
+{% end %}
+
+For me the trip kicks off with the Horror train from Oslo to Oppdal. This year
+I volunteered to be the host of the trip from Oslo, so I don't feel I can
+comment too much on how that experience was. Most of the other travelers were
+familiar faces from last years trip with a few new ones added.
+
+Also this year
+we had people from [Midtnorsk Fortellerforum] (a storytelling society) come on
+board and tell some macabre stories for us during the trip. This was a great
+addition! We also had the horror quiz where the winners could gain glory,
+fortune and prizes when we arrived at the hotel.
+
+...which we did just in time to check in before going to see the opening film –
+_[Train to Busan]_. An action packet and tight zombie film where most of the action is
+on a train. After all, what could be more appropriate after a five hour train
+trip from Oslo? A great start of an excellent festival! The director, Sang-ho
+Yeon was not able to be at the screening himself, but had sent a video message
+that introduced the film.
+
+Next up was _[The Autopsy of Jane Doe]_ introduced by the director _André
+Øvredal_. Øvredal is best known for his previous film _[Troll Hunter]_, and
+said he wanted to make something completely different this time around. And he
+definitely did.
+
+_The Autopsy of Jane Doe_ is tight, dark and claustrophobic.  Extremely well
+made, and plays very successfully on suspense and the primal fears of darkness
+and dead bodies. I found that the story worked really well, and the atmosphere
+gradually evolves from the mundane everyday attitude of morticians towards pure
+dread. A film highly recommended!
+
+{% figure(img="janedoe-poster.jpg") %}
+_The Autopsy of Jane Doe_ poster.
+{% end %}
+
+Due to the travel time from Oslo, two films was all I managed this first day.
+However, a really strong start on the festival, and I think everyone is smiling
+as we head back to the hotel bar for some beers. André Øvredal hangs around for
+the evening, even though he has to get up early to get to the next festival (in
+Stockholm) already the next day.
+
+## Day 2 - Friday
+
+First film for me on friday was _[31]_ by Rob Zombie. I'd read mixed reviews of
+this film in advance, but wanted to give it a shot. We meet a crew of traveling
+con artists that get caught up in a game of "31" where they play pawns for the
+rich to place their bets on. The game is played by letting them loose in a
+closed off industial labyrinth with hired killers trying to kill them off in
+more or less imaginative ways.
+
+This is an orgy of violence for the sake of violence itself. Still I think it
+works. It's well executed, the setting is interesting, and both the hunters and
+the prey are interesting characters. Perhaps not a favourite from the festival,
+but absolutely worth watching if you're not turned off by this kind of
+violence.
+
+Before the next film _[Red Christmas]_, we got to see the short film _[Night of
+the Slasher]_.
+
+{{ vimeo(id="127454533") }}
+
+_Red christmas_, an australian slasher mixing the festive themes of christmas
+with the ethical and political dilemmas around abortion, downs syndrome, human
+selection etc. Quite a few people didn't like this one, but I found it
+entertaining. The ethical aspects were present but not dominating, still they
+added a small touch of uniqueness to what would otherwise be just another
+slasher film. And legendary Deb Wallace does a good figure as the mother with a
+dark past.
+
+_[Seoul Station]_ was next on my agenda. But first we got the norwegian short
+film _[The Absence of Eddy Table]_, a really absurd computer animated story
+about a guy with a backpack that gets lost in a jungle of strange berries, huge
+women and snail like creatures that will transform you to a monster by growing
+a huge mouth in your neck. Voice talent provided by Mike Patton amongst others,
+this was very enjoyable and a surreal ride!
+
+_Seoul Station_ is an animated prequel to _Train to Busan_. Made by the same
+director – Sang-ho Yeon. It's much slower than Train To Busan, and the fact
+that it's animated rather than a real film distracts me a bit. It's also a tad
+longwinded. Not a bad movie, but not really needed as a companion to Train to
+Busan either.
+
+
+
+{% figure(img="francesca-poster.jpg") %}
+_Francesca_ poster.
+{% end %}
+
+Fourth feature of the day was the Italian Giallo homage _[Francesca]_. This was
+also a film that divided the audience a bit. I loved it, but others found it
+too much a pastiche of it's genre.
+
+The atmosphere is set right away, by a catchy prog-rock soundtrack, over
+saturated colours and even the proper typefaces from the 70's in the title
+sequence. The plot is admittedly thin, and you have to enjoy the aestethics of
+the film and the genre for this to be worthwhile. On one level it felt more
+like a long music video than a feature film.
+
+_Francesca_ was preceeded by the short film _[Tunnelen]_ (The Tunnel) again by
+André Øvredal (who also had _The Autopsy of Jane Doe_ on the festival.)
+
+This is dystopian futurism, and we follow a family on their way home from a day
+by the sea. On their way back into the city they have to pass though a tunnel,
+and while everybody assures eachother there's no danger in passing the tunnel
+we sense that they're just not showing their fear. Based on a short story by
+Alice Glaser, this is again masterfully executed by Øvredal and not the least
+by the actors. Very nice!
+
+
+After this I team up with a couple of friends for a food break. Even though
+that means missing _[The Rezort]_ which I had planned to see in this spot. Head
+and stomach found it wiser to eat though, so off we went for a bloody beef!
+
+...
+
+Back at the venue I went for _[Pet]_. But first the hilarious short film
+_[Death Metal]_ from Chris McInroy. A metal head with less than average guitar
+skills is given a new guitar by his dad. The new guitar has some secrets
+though, and some rules that need to be followed. Needless to say they're not,
+and things take off differently than our guitar hero expects. Very funny and
+lots and lots of blood!
+
+_Pet_ was a film I liked very much. It starts off as more of a quirky romance
+than a horror film, but it takes a different turn after about 20 minutes or so.
+Then it takes different and unexpected turns several more times.
+
+This was a film that managed to surprise me in a good way. The actors do a
+great job, and the story is twisted but somewhat realistic. This is not a film
+that aims to be scary, but it does tell an interesting story that's way darker
+than what I first thought. Very much recommended!
+
+
+{% figure(img="greasy-poster.jpg") %}
+_The Greasy Strangler_ poster.
+{% end %}
+
+Last film for the day, and the one that it seems the entire day has built up
+to, is _[The Greasy Strangler]_!
+
+Jim Hosking's debut feature film is sleasy, greasy, and a hell of a lot of fun!
+Don't expect a deep story, or for that matter a conventional film in any way.
+This is as if someone put all the sleaziest parts of John Waters films, the
+acting talent of a low budget Troma film, mixed them all with bucketloads of
+grease and added disco! If that sounds great, this is your film! Don't say I
+didn't warn you!
+
+Three people from _Spectrevision_, the production company behind the film had
+come over from Los Angeles to Oppdal for the occation. They were really funny
+people with lot's of stories from the shooting of the film and other hilarious
+anecdotes. The Q&A after the film had to be broken off because thay had so many
+stories to tell. We all went to _Spisbar_, a nearby pub for beers and to let
+the films of the day sink in. Most of us went to bed when the bar closed...
+
+## Day 3 - Saturday
+
+Saturday starts early! First with a Horror breakfast, where author _Jørgen
+Brekke_ reads a couple of horror short stories.
+
+The first is _Gulebjørn_ (Yellowteddy,) one of his own stories. Since we hade
+some time left, he also read _The Oval Portrait_ by Edgar Allan Poe. Both
+stories are very enjoyable, but he clearly had not practiced reading the second
+story, so that felt a bit stuttering. His own story worked much better. Still a
+great start.
+
+First film on my schedule for saturday was _[Ouija - The origin of evil]_, one
+of the more commercial films on the fetival.
+
+But first the short film _[Closet Space]_ by David F Sandberg. I've been
+following this promising director and the shorts he's made with his wife since
+I first came accross the original short _[Lights Out]_. I haven't been able to
+catch his full length version of Lights Out yet, but his shorts are allways
+refreshing and innovative. If you don't know his films, do check out his
+channel on [Vimeo](https://vimeo.com/ponysmasher) or
+[YouTube](https://www.youtube.com/user/ponysmasher).
+
+{{ vimeo(id="156095543") }}
+
+As for _Ouija_, I found it to be really good. It builds up nicely and is
+extremely well made. Also the young actress playing the gifted child does a
+very good job! All in all a very enjoyable movie.
+
+
+{% figure(img="the-similars-poster.jpg") %}
+_The Similars_ poster.
+{% end %}
+
+Next up was the mexican production _[The Similars]_ (Los Parecidos). It was
+very different than what I expected from the liner notes. A highly original
+film, and with a story that manages to surprise at many levels. I liked it a
+lot, while it could proabably have worked just as well with a shorter running
+time.
+
+The Norwegian short _Hunden_ (The Dog) was screened just before _The Similars_.
+A quietly told drama from the norwegian countryside. Very well executed, the
+minimal dialogue accentuates the quietness of the countryside. While the
+twist at the end is not really that surprising it comes with a great punchline.
+Definitely worth watching!
+
+
+Another mexican film, _[The Untamed]_ (La Región Salvaje) was again quite an
+original one. Alejandra is left alone to care for her child after her husband
+is taken to prison. By means of a female patient of her brother who is a nurse,
+she is introduced to a mysterious creature in a cabin which gives intense
+sexual pleasure.
+
+It works well on some levels, but not quite as well on others.  It feels a bit
+long. It's not really much of a horror film, but neither does it work as a
+science fiction. Still the parts that work is well worth it, and the story is
+interresting and fairly original.
+
+As with last years outdoor screening of _Villmark II_, Ramaskrik had organised
+a special screening this year too. This time it was the train/werewolf flick
+_[Howl]_ that was screened in an old train car at the Oppdal train station.
+
+While the film was far from the highlight of the festival, and a train car
+really does not lend itself that well to watching movies, the overal experience
+was great! It was a fun thing to do, and the setting did help the film in my
+opinion.
+
+As for the film itself? It falls for the classic mistakes of revealing the
+monster too soon, too often, and too much. Outside of the action it really
+didn't have much of a story to tell, and the characters seemed too
+stereotypical to be interesting.
+
+{% figure(img="night-of-the-living-deb-poster.jpg") %}
+_Night of the Living Deb_ poster.
+{% end %}
+
+Back at Oppdal Kulturhus I go for _[Night of the Living Deb]_, with the
+somewhat similarly named _[Dawn of the Deaf]_ as the pre-film short. As the
+organisers explained, they were placed together for their tounge-in-cheek
+names, not their content. The short was light on the horror elements, but had
+an interesting twist that leads well into it at the end.
+
+_Night of the Living Deb_ was rollercoster of a zombie-romance-apocalypse.
+Somewhat in the style of _[Shaun of the Dead]_, but with a woman as the leading
+role and a romantic backstory to drive the film. In other words, quite
+different. This was a refreshing and at times hilarious mix that makes this
+film really stand out among the rest. Highly recommended!
+
+After a short break with an aborted quiz (due to the quiz being longer than the
+break!) I was ready for the last film of the day: _[Scare Campaign]_.
+
+A TV crew needs to spice up their horror reality concept to stand a chance at
+attracting viewers against the competition from underground internet snuff
+crews. This is a film that could go both ways, but it twists around a few times
+in interesting ways. I enjoyed it a lot, and recommend that you check it out!
+
+{{ vimeo(id="138946032") }}
+
+Before _Scare Campaign_ though, we were presented the short film _Invaders_. A
+couple of guys argues about what masks to wear for a home invasion. They've
+picked out a nice house where a family is gathered for their thanksgiving
+dinner. Thing's don't go as planned...
+
+## Day 4 - Sunday
+
+All good things must come to an end, and so also this edition of Ramaskrik! Up
+way too early again judging by the beer-bill from yesterday. But hey, the
+breakfast at the hotel is really good so off we go!
+
+{% figure(img="windmill-massacre-poster.jpg") %}
+Poster for _The Windmill Massacre_.
+{% end %}
+
+I got to see two films before heading back to the train station for the ride
+home. The first one, _[The Windmill Massacre]_ was a very enjoyable piece from
+the land of windmills – the Netherlands. I think I enjoyed this for two
+reasons, it really captures the Dutch friendly pragmatism in a good way, _and_
+it had a good story.
+
+We meet a number of random people that happen to meet on a guided tour to view
+some of the old Dutch windmills. The tour bus breaks down at some desolate
+place, and as things unfold it may seem that the collection of people weren't
+as random as we first thought.
+
+I really liked the way the story unfolds in this film. Also the director, Nick
+Jongerius was present and talked about the film and answered questions after
+the screening.
+
+I was unsure if I was going to be able to finish the next film before having to
+run off to catch the train home. Luckily other people are better at calculating
+in their head than I am, so we went for it and finished the festival with
+_[Don't Breathe]_.
+
+Again a fairly commercial film which has been hyped quite a bit in advance. I
+liked it though! It's intense and well played. It doesn't really hold any
+surprises, but is an enjoyable film nonetheless. Sometimes the simple recipe is
+all that is needed.
+
+{{ vimeo(id="193729267") }}
+
+Before _Don't Breathe_ we got the short film _The Procedure_. This short film
+really defies any attempt to describe it. Just watch it! It's a must see, and
+it can not be unseen!
+
+
+## Winding down...
+
+A really great festival has come to an end. Again I've enjoyed every moment. A
+lot of films were seen, quite a few beers were drunk and people were met, talks
+were had and opinions were shared. All in all a great time!
+
+The organizers did an amazing job, both with the selection of films and
+organizing the event itself. At least from a visitors perspective everything
+was super smooth from start to finish. The hotel had again done an amazing job
+decorating and preparing for the event, and as far as I could see it was only
+smiles and happy faces the entire weekend.
+
+16 feature films and 9 shorts was what I managed to see this time around. As
+allways there was too many films that I did not get to see due to timing or
+clashes with other films, but that's only to be expected with a program as
+tight and as well put together as it was on this festival.
+
+See you in October!
+
+{% figure(img="hotelldekor1.jpg") %}
+By tradition the hotel has decorated the main floor where guests for the
+festival is staying.
+{% end %}
+
+{% figure(img="hotelldekor2.jpg") %}
+...and the elevator, for sports sake.
+{% end %}
+
+{% figure(img="beer.jpg") %}
+A well deserved beer between the screenings.
+{% end %}
+
+{% figure(img="kulturhuset.jpg") %}
+The venue
+{% end %}
+
+[Ramaskrik Horror Film Festival]: https://ramaskrik.no/
+[Oppdal]: https://en.wikipedia.org/wiki/Oppdal
+[Midtnorsk Fortellerforum]: http://fortellerforum.no/
+[The Windmill Massacre]: http://www.imdb.com/title/tt2923088/
+
+[Train to Busan]: http://www.imdb.com/title/tt5700672
+[The Autopsy of Jane Doe]: http://www.imdb.com/title/tt3289956/
+[Troll Hunter]: http://www.imdb.com/title/tt1740707/
+
+[31]: http://www.imdb.com/title/tt3835080/
+[Red Christmas]: http://www.imdb.com/title/tt5120400/
+[Night of the Slasher]: https://vimeo.com/127454533
+[Seoul Station]: http://www.imdb.com/title/tt3845670/
+[The Absence of Eddy Table]: https://www.youtube.com/watch?v=7aJGfTL2a5Y
+
+[Francesca]: http://www.imdb.com/title/tt4958596/
+[Tunnelen]: http://www.imdb.com/title/tt4583446/
+[The Rezort]: http://www.imdb.com/title/tt3923662/
+[Pet]: http://www.imdb.com/title/tt1183374
+[Death Metal]: http://www.imdb.com/title/tt5640904/
+
+[The Greasy Strangler]: http://www.imdb.com/title/tt4381236/
+[Ouija - The origin of evil]: http://www.imdb.com/title/tt4361050/
+[Closet Space]: https://vimeo.com/156095543
+[Lights Out]: https://vimeo.com/82920243
+
+[The Similars]: http://www.imdb.com/title/tt3949658/
+[The Untamed]: http://www.imdb.com/title/tt5265960/
+[Howl]: http://www.imdb.com/title/tt2393827/
+[Night of the Living Deb]: https://vimeo.com/ondemand/nightofthelivingdeb/179690844
+[Dawn of the Deaf]: http://www.dawnofthedeafmovie.com/
+[Shaun of the Dead]: http://www.imdb.com/title/tt0365748/
+
+[Scare Campaign]: http://www.imdb.com/title/tt4467626/
+[The Windmill Massacre]: http://www.imdb.com/title/tt2923088
+[Don't Breathe]: http://www.imdb.com/title/tt4160708/
+
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diff --git a/content/blog/2017-09-08-fjeld-ljom/index.md b/content/blog/2017-09-08-fjeld-ljom/index.md
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@@ -0,0 +1,25 @@
++++
+title = "Fjeld-Ljom"
+
+[taxonomies]
+tags = ["presse", "historie", "museum", "Fjeld-Ljom"]
+
+[extra]
+author = "harald"
++++
+
+[Pressemuséet Fjeld-Ljom] på Røros er et artig historieformidlingsprosjekt. Så
+vidt jeg vet det eneste i sitt slag i Europa. Her produserer de sin egen avis
+på den gamle måten og med de gamle maskinene, og det i de opprinnelige lokalene
+til lokalavisen det har fått navnet sitt fra. Omtrent en gang i året eller så
+stimler de sammen, entusiaster og ildsjeler fra hele Norge for å få maskinene i
+gang igjen og å få produsert årets avis.
+
+I år tok også [NRK Trøndelag turen] for å se hvordan prosessen er når man lager
+avis med blytyper, flatpresse og nesten glemt fagkunnskap.
+
+<div class="nrk-video" data-nrk-id="83f18046-1ce6-4090-b7bc-a4025946f9f6"></div>
+<script src="https://www.nrk.no/serum/latest/js/video_embed.js"></script>
+
+[Pressemuséet Fjeld-Ljom]: http://fjeld-ljom.no
+[NRK Trøndelag turen]: https://www.nrk.no/video/PS*83f18046-1ce6-4090-b7bc-a4025946f9f6